Whole Dude – Whole Memory

The Oral Tradition Helps me to discover the Homer of Rajahmundry

Defining Indian Identity -The Oral Tradition helps me to discover the Homer of Rajahmundry. Homer-One of the greatest of the world’s literary artists

Excerpt: A simple man, whose name is not known to me, who had written no epic poetry, is my ‘Homer’. Like the Great Poet, this man orally transmitted the ‘Original’ pain and the emotional experience of people who had lived in Rajahmundry centuries before my arrival and the pain survives in my memory and it would hopefully survive in the memories of our future generations. A bit of historical truth is as great as a long poem. A temple had been destroyed and the pain experienced by the community would live as long as our oral tradition would live.

Homer – One of the greatest of the world’s literary artists

Defining Indian Identity -The Oral Tradition helps me to discover the Homer of Rajahmundry. Achilles vs. Hector. The Climactic Confrontation of the Iliad. Triumphant Achilles dragging Hector s lifeless body in front of the Gates of Troy (from a panoramic fresco on the upper level of the main hall of the Achilleion).

The two great epic poems of ancient Greece, the Iliad and the Odyssey are attributed to Homer. Homer is an oral poet and Homeric tradition is an oral one- that this is a kind of poetry made and passed down by word of mouth and without the intervention of writing. Through out world, people have orally transmitted many texts, let it be history, literature or scriptures, for long periods of time, before the texts were committed to writing. The people of India share this great tradition and we practice this tradition during our festivals and while performing specific rituals. For example, ‘Gayatri Maha Mantra’ is orally transmitted during the ritual called Upanayanam. During festival season, we gather and listen to Puranas and to the Indian Epic Poems, which are ancient stories. A myth is essentially told. India is the land where the myths are transmitted form one generation to the next in the form of Epic Poetry.

MY STORY ABOUT ‘HOMER’ WHO LIVED IN RAJAHMUNDRY

I narrated my stories about my early childhood life in Rajahmundry. Kindly refer back to my blog entries about ‘The Tradition of Ahimsa’, ‘The Tradition of Idol Worship’ and ‘The Tradition of River Worship’. I learned about the Culture of my Land from very ordinary folks and they are the faces of the Indian Identity that I would love to speak about.

Defining Indian Identity -The Oral Tradition helps me to discover the Homer of Rajahmundry. The Story about ‘Pedda Masjid’, Main Road, Rajahmundry narrated by Homer of Rajahmundry

As a little kid, I sometimes performed chores while we lived in my grand parents’ home in Innespeta, Rajahmundry. I still have a vivid recollection of this event which helps me to speak about our oral tradition. I was walking along the ‘Main Road’ of Rajahmundry and was passing in front of Pedda Masjid (The Big Mosque). An elderly person stopped me and spoke to me. I was a little diminutive kid walking bare foot on the street. The man was very modestly dressed and appeared to be one of the working poor of the town who make their living by performing simple menial tasks at the market place. Some of you, who may have lived in Rajahmundry know that we have a vegetable market in that area and it is the heart of the town. I could see the sense of sadness on his face. He was simply trying to unburden himself and share the emotional pain with which he might have lived for many years. I remember this incident as the expression of sorrow and dismay is entirely true. He did not ask for any favor or help. He was not canvassing for any support for political ideology. He was not speaking about his poverty or the hardships of his daily life. He plainly shared the truth about the “Pedda Masjid.”

Defining Indian Identity -The Oral Tradition helps me to discover the Homer of Rajahmundry. The Story about the ‘Pedda Masjid’, Main Road, Rajahmundry narrated by Homer of Rajahmundry.

The mosque was not real. It was a temple. The temple was demolished and the mosque was erected in its place. He did not learn about it by visiting a library or reading the notes written by some historian or archaeologist. He had lived his life in the town and he gained this information from people who had lived before him. He had felt their pain and thought that it was important to share this collective memory with the next generation. I really do not know as to how long we should live with this injustice. But for now, my time has come. I need to narrate this story to the next generation. We shall continue to do so as long as this pain lives. This simple man, whose name is not known to me, who had written no epic poetry, is my ‘Homer’. Like the Great Poet, this man orally transmitted the ‘Original’ pain and the emotional experience of people who had lived in Rajahmundry centuries before my arrival and the pain survives in my memory and it would hopefully survive in the memories of our future generations. A bit of historical truth is as great as a long poem. A temple had been destroyed and the pain experienced by the community would live as long as our oral tradition would live.

Whole Dude – Whole Performance

Whole Dude – Whole Performance: A tribute to Rajahmundry’s traditions of Performing Arts

Bharat Darshan – A tribute to Rajahmundry’s traditions of Performing Arts

Whole Dude – Whole Performance – A tribute to Rajahmundry’s traditions of Performing Arts

GOVERNMENT ARTS COLLEGE, RAJAHMUNDRY WHERE STUDENTS EXCEL IN PERFORMING ARTS

The Traditions of Performing Arts in Rajahmundry

Whole Dude – Whole Performance – A Tribute to Rajahmundry’s Traditions of Performing Arts.

Rajahmundry gets credit for being the home for great artists. The first drama in Telugu language was written by Kandukuri Veeresalingam, a native of Rajahmundry. During the few years I spent in Rajahmundry, I had witnessed several wonderful performances and all of them without paying an entrance fee or buying a ticket. The community supports these performances and they are staged for public enjoyment free of cost. I had earlier mentioned about a traditional art form known as ‘BURRA KATHA‘. There is another traditional form of story narration known as ‘HARI KATHA’ and it introduced to me several interesting stories from the Indian epic poems.

Whole Dude – Whole Performance – A Tribute to Rajahmundry’s Traditions of performing Arts. The Tradition of story-telling called Harikatha.

Apart from story narration, Rajahmundry is a great place to witness artists performing drama. The themes are selected from mythology, history, social satire and modern social life. We have several companies in Rajahmundry that provide costumes, makeup artists, and stage equipment. During the major festivals and summer school vacations, we very often get a chance to enjoy the performances on makeshift stages putup at road intersections during night time. At the Government Arts College, Rajahmundry, students always celebrate their annual functions with several drama performances.

Just in Time- A Little Performance for Little Kids:

Whole Dude – Whole Performance – A Tribute to Rajahmundry’s Traditions of Performing Arts

There is a memorable performance that I witnessed at the Government Arts College, Rajahmundry, fully enacted by little kids. I remember some of the lines from this song drama :

A little girl sings,

“Found a peanut, Found a peanut, Found a peanut Just Now,”

The girl relishes eating the peanut,

Very soon, the girl is in trouble,

“Stomach aching, Stomach aching, Stomach aching Just Now,”

The girl can not bear the pain and asks for help,

“Call the Doctor, Call the Doctor, Call the Doctor Just Now”,

A young kid in doctor’s costume arrives, and the girl instructs the doctor,

“Cut it Open, Cut it Open, Cut it Open Just Now”,

The young doctor performs the mock surgery as the girl demands,

“Find the Peanut, Find the Peanut, Find the Peanut Just Now”,

The doctor successfully removes the offending Peanut, and the girl recovers,

“Thank You Doctor, Thank You Doctor, Thank You Doctor Just Now.”

Whole Dude – Whole Performance – A Tribute to Rajahmundry’s Traditions of performing Arts

My sister was the little girl in this performance and the audience received this brief show with a great sense of amusement and because of that pleasurable experience, I still happen to remember the lines.

This is my tribute to the great lovers of performing arts whose patronage makes Rajahmundry a wonderful place and I still cherish those pleasant memories of spending the evening hours watching very entertaining dramas.

Dr. R. Rudra Narasimham, B.Sc., M.B.B.S.,

DANAVAIPETA MUNICIPAL HIGH SCHOOL, RAJAHMUNDRY,

S.S.L.C.  CLASS OF MARCH, 1961.

Whole Dude – Whole Performance – A Tribute to Rajahmundry’s Traditions of Performing Arts. The tradition of story-telling called Burrakatha.

Whole Dude – Whole Literature

Rajahmundry Formulates My Connection to India and Indian Literature

Bharat Darshan – City of Rajahmundry shapes My connection to India and Indian literature. Shri. Sarat Chandra Chatterjee or Chattopadhyay, popularly known as Sarat Babu.
Shri. Sarat Chandra Chatterjee or Chattopadhyay, popularly known as Sarat Babu.

SARAT CHANDRA CHATTERJEE (CHATTOPADHYAY), SEPT 15, 1876 – JAN 16, 1938

I belong to Rajahmundry where Kandukuri Veeresalingam had written the first novel ever written in the Telugu language. However, it was ‘ SARAT BABU’ who had first provoked my interest in reading Telugu literature. Sarat Babu, the famous novelist had written in Bengali language but fortunately, his books are translated into Telugu language and while I grew up in Rajahmundry, his novels were extremely popular he quickly aroused my curiosity.

Rajahmundry – My connection to India and Indian literature.

In 1953, the Telugu film ‘DEVADASU’ with Akkineni Nageswara Rao (A N R) in the lead role was released and the songs from that film though not written by Sarat Babu also became very popular. It was not the popularity of this film which had drawn me towards the novels written by Sarat Babu.

Rajahmundry – My connection to India and Indian literature

I actually started reading his translated stories a few years later after joining Danavaipeta Municipal Corporation High School. I was attracted by his powerful narrative style and the portrayal of the characters in his stories. His novels were easily available in the City Public Library. I know Telugu people who learned the Bengali language just to get the pleasure of reading Sarat Babu’s original works. I also know some of my friends who acquired their names from Sarat Babu. I should acknowledge the fact that his novels gave me the impetus to develop the habit of reading books. While Telugu people could embrace and adore a Bengali novelist, I have not witnessed any love for Tamil writers. While I attended Danavaipeta Municipal High School in Rajahmundry, I learned about ‘TIRUKKURAL’ and was not introduced to any other Tamil literature.

The Bengal, Andhra, Tamil Connection:

Rajahmundry – My connection to India and Indian literature.

Since Mylapore, Madras is my birthplace, I grew up with a sense of fondness for that City and during the 1950s I visited Madras several times as my maternal grandparents still lived there. The Howrah-Madras Mail connected Rajahmundry and Madras. At Rajahmundry I got connected to the nation and much of it was inspired by the writers and thinkers of Bengal. At the beginning of the 20th century, Bengal shaped our sentiments and exerted a great influence on our minds. I am not surprised that ‘Vande Mataram’ is our National Song and ‘Jana Gana Mana’ is our National Anthem and the honor goes to Bengal. Unfortunately, Madras apart from being the State Capital could not excite Telugu people’s’ hearts in the way Bengal did. I can not recall the name of even one public figure from the Tamil speaking areas of Madras State who may have visited Rajahmundry or other Telugu speaking areas of Madras State. Actually, the relationship between Telugu and Tamils started deteriorating after India’s independence in 1947 and it led to the linguistic partition of India. I am proud of my Telugu heritage but I am not truly happy with the partition of the country on a linguistic basis.

Rajahmundry – My connection to India and Indian literature

Dr. R. Rudra Narasimham, B.Sc., M.B.B.S.,

C/O Shri. R. Suryanarayana Murthy, M.A., B.Ed.,

13-92 First Cross Road, Prakasam Nagar, Rajahmundry,

East Godavari District, Andhra Pradesh, India.

S.S.L.C.  MARCH 1961, Danavaipeta Municipal High School, Rajahmundry. 

Rajahmundry – My connection to India and Indian literature

Whole Dude – Whole Gateway

Rajahmundry – The Gateway to Traditions and History

Bharat Darshan – Rajahmundry – The Gateway to Traditions and History. Kandukuri Veeresalingam Pantulu of Rajahmundry

Kandukuri Veeresalingam Pantulu of Rajahmundry 

Bharat Darshan – Rajahmundry – The Gateway to Traditions and History

I am a native of Rajahmundry of East Godavari District, Andhra Pradesh, India by way of my family connections. I lived only a small part of my life in my hometown. Within those few years, Rajahmundry very graciously connected me to the nation that we know as India. On one hand, I was introduced to the traditions of River Worship and Idol Worship, I got acquainted with the ideas of Ahimsa (non-injury), and at the same time I was also introduced to India’s history of foreign occupation, the pain imposed by the Muslim invaders, the struggle for Independence from the British Rule and equally important is the social awakening of the people. During the 19th century, India saw the rise of nationalism and simultaneously there was a wish to reform the society. The natives of Rajahmundry received inspiration from a variety of sources.

Bharat Darshan – Rajahmundry – The Gateway to Traditions and History. ANNIE BESANT – ANGEL OF INDIA.

Ms. Annie Besant who became the President of the Theosophical Society in 1907 visited Rajahmundry twice and established a place of worship known as ‘Divya Gjyan Samaj’ in a residential sub-division of Rajahmundry which is still known as ‘ALCOT GARDENS’ (named after Theosophist Henry Steel Olcott).

Bharat Darshan – Rajahmundry – The Gateway to Traditions and History

Bipin Chandra Pal (1858-1932), the leader of ‘Vande Mataram’ nationalist movement visited Rajahmundry in April 1907.

Bharat Darshan – Rajahmundry – The Gateway to Traditions and History

Alluri Sita Ramaraju (1898-1924) was inspired by the patriotic zeal of the revolutionaries in Bengal and waged a brief war against the British winning the hearts of the natives of Rajahmundry.  

Kandukuri Veeresalingam Pantulu Garu:  

Bharat Darshan – Rajahmundry – The Gateway to Traditions and History

He was born into a poor Brahmin family at Rajahmundry in 1848. About one hundred years later, when I arrived in Innespeta subdivision of Rajahmundry, the first time I had known this great man was during a visit to the municipal park on the Main Road, just a short walking distance from my grandparents’ house. There is a very imposing statue and people spoke about him with pride and admiration. My eldest brother, Hari was a student at the Veeresalingam Theistic High School in Innespeta. During the academic year 1952-53, I studied in 3rd grade at ‘Shade Girls High School’ located near ‘Kambala Cheruvu’ (Lake Kambala) while my family resided in Danavaipeta subdivision of Rajahmundry. Myself and my elder brother Pratap used to walk to the school and the easiest way to reach the school was a private road which traverses the Veeresalingam Gardens. The subdivisions of Danavai peta and the Danavai Pond and Prakasam Nagar are located on the southern side of the Gardens and Gandhi Nagar is located along the northern perimeter of the Gardens. The school is at a short distance from the north-west entrance to the Gardens. Apart from the tombs of Veeresalingam and his wife Rajya Lakshmi, the Gardens had a venue to conduct marriage functions and there was a Home for Widows. On our way to the school, we used to enter the Widow’s Home and a classmate of ours by name Sai Baba would join us in the walk to the school. On our return trip, the three of us used to reach the Home and after leaving Sai Baba, myself and my brother would resume our walk to our residence in Danavaipeta. There were several occasions when we would wait at the Home while Sai Baba’s mother would be breastfeeding him. During that school year, it was my daily experience and I knew that my friend and his mother derived their support from this great benefactor known as Veeresalingam.  

As my family lived on the outer fringes of Veeresalingam Gardens during the most part of my later school years at Danavaipeta Municipal High School, walking across the Gardens and playing cricket in the evening in the open areas of the Garden became a part of my daily routine. The Gardens had several flowering plants and fruit-bearing trees and to celebrate the festival of Ganesh we used to gather from the Gardens several flowers, leaves, and fruits which are required for the worship. At the same time, I also knew about ‘Hithakarani Samajamu’. Veeresalingam donated all his lifetime earnings and had established this trust in 1907. Addepalli Vivekananda Devi, a social worker, and educationist lived in Danavaipeta and I had seen her several times and I was aware that she was continuing the relentless effort started by Veeresalingam to empower women and for the uplifting of women.

Bharat Darshan – Rajahmundry – The Gateway to Traditions and History

In 1968, Ms. Addepalli Vivekananda Devi successfully established Srimati. Kandukuri Rajya Lakshmi College for Women near the Lake known as ‘Danavai Gunta’. My sister and a sister-in-law studied in this College.  

Veeresalingam was influenced by the ideals of ‘BRAHMO SAMAJ‘ founded by the great social reformers of Bengal, Raja Ram Mohan Roy, Keshub Chunder Sen, and Iswar Chandra Vidya Sagar who did much work for women’s emancipation. Veeresalingam was the pioneer of social reform in Andhra areas of the Madras Presidency apart from his remarkable contributions to Telugu literature and for the cause of education. 

Bharat Darshan – Rajahmundry – The Gateway to Traditions and History

During the course of life, moments slip away and fortunately, they are laid into account. If there are no memories, there is no life worth speaking about. 

Dr. R. Rudra Narasimham, B.Sc., M.B.B.S., 

Danavaipeta Municipal High School, Rajahmundry,

S.S.L.C. Class, March 1961

Bharat Darshan – Rajahmundry – The Gateway to Traditions and History.